Warwick Thornton’s ravishingly shot film, a resonant Indigenous Western with echoes of The Searchers, explores issues of Australian identity and the disenfranchisement of the country’s native peoples. More:
XX is a delightful, horrific variety pack — four risky and irreverent short films that pay homage to the tropes and traditions of horror filmmaking. It’s nuanced storytelling and solid genre filmmaking that also passes the Bechdel test, severed hand over bloody foot. — Rhienna Renée Guedry, Bitch Media.
Across the wildly diverse landscape of Indian cinema — spanning countless genres and nearly a dozen languages — women filmmakers are challenging the status quo, be it at the art house, regional cinema or from within mainstream Bollywood. — Nyay Bhushan, The Hollywood Reporter. Read More:
Find out which films pass the F-Rated test and discover the female writers, directors and actors leading change in the film industry. Read more:
Virtual Reality filmmaker Lynette Wallworth takes the stage at the Australian Academy of Cinema and Television Arts Awards next week as winner of the $10,000 Byron Kennedy Award for “outstanding creative enterprise” in film and television.
Her film, Collisions, invites audiences on a virtual reality journey to the land of indigenous elder, Nyarri Nyarri Morgan and the Martu tribe in the remote Western Australian desert.
Wallworth’s previous virtual reality film, Coral: Rekindling Venus, about the vibrant undersea life of coral reefs, was made for the domes of planetariums.
This darkly humorous short film is set in a world where teenage girls must live to the expectations of a cult-like society obsessed with doll-like perfection. One girl, Polly, doesn’t quite fit in and in her search for acceptance, commits an unthinkable act…
Watch the clip and support this Tim Burton style, all-female filmmaking project by contributing to its brand new crowdfunding campaign: HERE
Must have been so much fun for Margaret Sixel to edit Fury Road ! Won an Oscar for editing 470 hrs of raw footage into Mad Max: Fury Road (2015), tho she’d never cut an action movie before.
See Raw Action Footage here: (no CGI). https://www.youtube.com/watch?v=dfm4gvxNW_o
Sixel’s edited many films, including Babe: Pig in the City (1998) & Happy Feet (2006). Props to the stunt men & women, & the production team!
Screen Australia and the Australian Directors Guild (ADG) have announced that Brooke Goldfinch and Catriona McKenzie have been chosen as the director’s attachments on Sir Ridley Scott’s Alien: Covenant. They will work on the project for five weeks while the production films in Australia.
Read more at:
“Now you have the picture of the Spanish civil war being projected on the screen and these two heavy figures swinging away at each other and missing most of the time. The lights came up. We looked at each other, burst into laughter and became great friends.”
– Orson Welles, on his relationship with Ernest Hemingway
From Dr Matthew Asprey Gear’s new book At the End of the Street in the Shadow: Orson Welles and the City.
“The producers famously violated a number of road laws and paid some of the crew in slabs of beer…
Trailer # 1
“The original Mad Max provides an origin story for Australia’s most iconic hot-under-the-collar antihero, depicting the tragic events that made him such a killjoy. It was also a baptism by fire for the director, George Miller, who shot the film in and around Melbourne on a shoestring budget.”
– Luke Buckmaster – ’10 best Australian films made by first-time directors’
Trailer # 2
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