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Stories teach us how to live; myths orient our lives. We use stories for survival—they separate the signal from noise; they map out our world. We retell myths because they help us find meaning in the universe. – Christopher Prozenheim, The Escapist. More:
More than a gothic fairytale, Burton’s substantial critique of Suburbia and jab at capitalism speak to complicated issues of income inequality, institutional segregation, and sparks deeper conversations about education, police, and big business reform. – Alex Arabian, SlashFilm. More:
Lana Wachowski wrote a beautiful script that resonated with Keanu Reeves. It tells “a wonderful story that has meaningful things to say, and that we can take some nourishment from.” – Rachel Leishman, The Mary Sue. More:
Nestled in terrain of seminal mythic beauty in the heart of Pueblo country, the studio’s appeal lies in its diverse landscapes mimicking locales around the world, also serving as a gateway to iconic locations like Ghost Ranch, Taos and El Santuario de Chimayo. – AP, Cherokee Phoenix. More:
Reduced crew, minimal extras, restricted contact with key personnel and reduced international travel are all key to productions getting back to work while minimizing risk. – Richard Janes, Medium. More:
Supplement your cat video experience by watching high-end films from these film festivals, all of which have moved online. – SmithsonianMag. More:
Jérôme Paillard, executive director of the Cannes Marché du Film, has confirmed that over 200 sales companies are already registered for the online film market June 22-26. – Ben Dalton, Screen Daily. More:
The death and rebirth of Hollywood is upon us. Opportunities exist in every sector of the industry. There really is no greater time—wherever you live in the world—to be in film and television. BUT it’s time to innovate and hustle. – Richard Janes, Medium. More:
Production was shut down three times, the stars often clashed and studio executives were baffled. Mad Max: Fury Road set a new high-water mark for action filmmaking when released in 2015, and no summer blockbuster since has been able to match its turbocharged ingenuity. – Randall Colburn, AV Club. More:
The soundtrack for David Lean’s epic Lawrence of Arabia (1962) won Maurice Jarre an Oscar. But, for one of the film’s most iconic scenes, when Sherif Ali (Omar Sharif) appears from the shimmering distance in the desert, Lean opts for natural sounds, including wind, giving a beautiful contrast to Jarre’s immense score. – Neil McKim, BBC Music. More:
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