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The debate over color versus form, which dates back to Aristotle, came to a head in late 17thc. France. Since then, many aesthetic theorists, including the 20thc. philosopher Theodor W. Adorno, have argued that color is indeed inferior to form—a superficial topcoat, a feminine indulgence. – Amanda Scherker, Artsy. More:
Ten years ago, people would’ve said only a man would write this. That’s part of why we started the company, in order to open more doors to people who don’t look like the standard action-movie or genre writer. – Robertson-Dworet, in Joanna Robinson, Vanity Fair. More:
“I didn’t want to be a woman who makes films. I wanted to invent cinema.” And so she has. The enormity of Agnès’s accomplishment is her contribution to the form she loves and a gift to us all. Vale Agnès Varda. – Holly Brubach. More:
It’s a substantial jump from just 3% in 2018. Perhaps diversity efforts in Hollywood are starting to bear fruit. – Jeremy Fuster, The Wrap. More:
There were no women nominated in the cinematography category for the 2019 Oscars. – Valentina Valentini, Teen Vogue. More:
Disney has gradually introduced a diversity into its films that reflects the changing environment, and the experience and voices of women in the 21st century. The Princess and the Frog (2009), Tangled (2010), Brave (2012), Frozen (2013), and Moana (2016), each explored the journey of smart, strong, funny, independent female characters. – Helena Bassil-Morozow, The Conversation. More:
The pleasure of the film is the old-fashioned exotic-seeming sensibility of the setting, harking back to classic old adventures like Gunga Din, but with the acerbic undercutting of white colonial arrogance. – Cinephilia & Beyond. More:
There’s nothing quite as unfunny as nuclear annihilation. Stanley Kubrick vividly observes the egomaniacal men in control of it all – sexually insecure weirdos, former fascists, overinflated macho men. It’s as funny as it is facepalm-inducing.– BFI. More:
More than a dozen female superhero film projects are in the pipeline from Sony, Fox, Disney’s Marvel Studios and Warner Bros. The wave of female heroes extends to television and Hollywood’s new high-profile streaming site launches as well. More:
Getting the industry onside is crucial, given its stranglehold on how women are portrayed on screen. The gender perspectives in blockbusters can be really dated – imagine how that affects women watching these films. Women make up 65-67% of cinema-goers, so that’s an incredible audience base to capitalise on. – Clarence Tsui, South China Post. More:
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