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Mesopotamian princess, priestess, writer and poet, who authored hymns to the love goddess Inanna (Semitic Ishtar), also noted difficulties in the creative process. Apparently, writer’s block was a problem even in 2285-2250 BCE. – Louise Pryke, The Conversation. More:
Director Jorge Gutierrez, acknowledging that the fantasy genre is heavily male-driven, said ‘this is my attempt to provide an awesome female hero.’ The animated series will draw heavily from Mesoamerican legends. More:
The trend of the female monster began with Greek and Roman legend, where female monsters were either temptresses or vile beasts stripped of any sympathy. Consider the legend of Medusa, the original monster girl. – Kate Gardner, The Mary Sue. More:
It’s hard to believe now, but women learning the classics was a genuine threat to male power. Against this long background of misogyny and fear, it is surprising, but not astonishing, that the first English translation of the Odyssey by a woman has only now come out. – Annalisa Quinn, NPR. More:
The King Arthur legend has multiple elements, among them a love story involving the king, Guinevere, and Sir Lancelot. This version incorporated fantasy, swords, sorcery, and FX, but didn’t bother with romance or significant female characters. – Tom Brueggemann, IndieWire. Read More:
Siduri, goddess of beer, urged the hero Gilgamesh to enjoy life’s simple pleasures — the company of loved ones, good food and clean clothes — perhaps an example of Mesopotamian mindfulness. — Louise Pryke, Macquarie University, The Conversation. Read More:
“Indian mythology is a new medium of choice for feminist narratives (and it’s working).” – Urmi Chanda-Vaz, Scroll.in. Read More:
James Cameron provides audiences with a rich film experience by using all three levels of brain stimulation simultaneously: biological stimulus, social emotion, and intellectual metaphor. – Mike Hill, Film & Game Concept Designer.
Mike gives a breakdown of the cinematic storytelling techniques used by James Cameron in Terminator 2. Watch Video:
‘Wonder Woman’ (1941) was conceived by Dr. Marston to set up a standard among children and young people of strong, free, courageous womanhood; to combat the idea that women are inferior to men, and to inspire girls to self-confidence and achievement in athletics, occupations and professions monopolized by men.
– by Jill Lepore, The New Yorker.
“By far what I found most appealing about The Force Awakens, one of the most anticipated films of the decade in one of the most universally beloved film franchises of all time, is that its two main characters are a white woman and a black man. This is meaningful not only because it moves Star Wars into a space that better reflects its audience, but because the franchise is huge enough to influence the larger filmic landscape, and potentially nudge Hollywood toward consistently telling more inclusive stories.”
– from Review by http://www.FeministFrequency.com
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