Argentinian director Lucrecia Martel made her debut with La Cienaga (The Swamp) in 2001, followed by La Nina Santa (The Holy Girl) in 2004, and acclaimed Cannes title La Mujer Sin Cabeza (The Headless Woman) in 2008. Her fourth feature, Zama (2017), an exploration of colonialism and racism in Latin America, had its premiere on the Lido. – Andreas Wiseman, Deadline. More: