The perfect person to steer the future of color film, former art student Natalie Kalmus served as color supervisor on almost every Technicolor film from 1934-1949. Through “Color Consciousness,” Natalie asked filmmakers to delve into art history, noticing how painters used colors to tell stories. Natalie emphasized the importance of people’s psychological reaction to specific hues and how good they’d look onscreen. – BUST. More: